Sara Tendulkar and ‘bhabhi’ Saaniya Chandhok twin in pastel ethnic looks for Rakhi lunch; fans say, ‘Looking so alike’
Sara Tendulkar and Bhabhi Saaniya Twin in Pastel for Rakhi
Bharatmorningnews.com – When Sara Tendulkar and bhabhi Saaniya Chandhok posted their “get ready with us” reel ahead of a family Rakhi lunch, the internet quickly latched onto one thing: how eerily similar the two women looked once the makeup was on and the pastel ethnic outfits were in place. The clip, shot in a home setting with zero studio polish, shows the pair moving from plain white tees and jeans through mascara, blush, and lip liner before cutting to the finished ensembles — a powder-blue kurta for Sara and a baby-pink set for Saaniya. Fans flooded the comments with “looking so alike” reactions, and the bhabhi–nanad chemistry became the story of the day.
The Get-Ready Sequence and Its Unscripted Energy
The reel’s first act is deliberately low-key. Both women appear in matching white T-shirts and blue jeans, applying mascara and sweeping blush across their cheeks while dancing and laughing in front of a mirror. There is no scripted tutorial cadence, no slow-mo product close-up. The energy is chaotic, giggly, and unmistakably domestic — a kitchen-table vibe rather than a beauty-brand shoot. Sara, who has built a sizable following on short-form comedy skits, drives most of the physical comedy; Saaniya, newer to public attention, plays the steadier straight-man role. Their own caption, “Calm vs chaos,” names the dynamic without over-explaining it.
Styling Breakdown: Complementary Pastels, Varied Jewellery
The finished looks follow a simple but effective coordination rule. Sara’s powder-blue ethnic piece is accented with silver bracelets, introducing a metallic note against the muted fabric. Saaniya’s baby-pink outfit, by contrast, carries almost no jewellery at all, letting the colour and drape do the talking. Both women finish with a small centred bindi and a soft, daytime-appropriate makeup finish — radiant base, flushed cheeks, no heavy contouring. The proximity of blue and pink on the colour wheel produces visual unity without the two outfits reading as identical, a practical lesson for anyone attempting the “twinning” trend in ethnic wear.
What Fans Said
The comment section turned almost immediately into a chorus of sibling-energy observations. Typical reactions included:
“You both are like siblings, always twinning and friendly.”
“You guys are looking so alikeee.”
“Finally, you have someone who can make videos with you.”
“Loveee the bhabhi and nanad duo.”
The last line is telling. “Bhabhi and nanad” — elder and younger sister-in-law — is a shorthand in Indian English for a warm, informal, non-hierarchical domestic pairing. Its spontaneous use by strangers in the comments signals how naturally the two women inhabit that familial register on camera, even though they are unrelated by blood.
Context: A New Member of the Tendulkar Household
Saaniya Chandhok entered the family earlier this year, tying the knot with Arjun Tendulkar — Sachin’s younger brother — on March 5, 2026. The Rakhi reel appears to be among the first public moments in which the extended household shares an unscripted, lighthearted interaction together. For a family long accustomed to media scrutiny, the clip’s casualness is itself the news: no staged event, no press release, just two women getting ready for lunch and accidentally becoming a trending topic.
FAQ
What did Sara Tendulkar and bhabhi Saaniya wear for the Rakhi lunch?
Sara chose a powder-blue ethnic ensemble layered with silver bracelets; Saaniya opted for a baby-pink outfit with minimal jewellery. Both completed the look with a small bindi and a soft, natural makeup finish suited to a daytime family gathering.
When did Saaniya Chandhok marry into the Tendulkar family?
She married Arjun Tendulkar, Sachin’s younger brother, on March 5, 2026. The Rakhi reel was one of the earliest joint public appearances by the newly expanded household.
Why did the video go viral?
Three factors converged: the unscripted, home-shot format felt refreshingly candid against polished celebrity content; the pastel coordination made the two women look strikingly alike, triggering “twinning” commentary; and the bhabhi–nanad framing tapped a culturally specific warmth that resonated across Indian social-media audiences.